台聯大文化研究國際中心
 
姓名 Name 論文/演講題目 Topic 摘要 Abstract
James H. Rubin
都市風景,藝術風景:印象主義者與城市
Urban Landscapes, Art Landscapes: The Impressionists and the City
劉巧楣
Chiao-Mei Liu
馬內的兒童肖像與十九世紀中期巴黎的資產階級童年
Edouard Manet's Child Portraits and Childhood of the Bourgeoisie in Mid-Nineteenth-Century Paris
 
克漢東
Corrado Neri
《四大名捕》/《形影不離》:中國超級英雄是崛起還是殞落?
The Four/Inseparable: the rise or the fall of a Chinese Superhero?
戴樂為
Darrell William Davis
市場化、全球中國、以及好萊塢
Marketization, Global China, Hollywood
陳榮強
E. K. Tan
Pink Dot Sg 宣傳短片中的酷兒回歸與新加坡家庭結構的重整
Queer Homecoming in Pink Dot Sg's Campaign Videos and the Reorientation of the Concept of Family in Singapore
賈元鵬
Earl Jackson, Jr.
映像之後:重探觀影詮視
The Consequences of the Image: Resituating Spectatorial Knowledge
洪芳怡
Fang-Yi Hung
從曲譜集《家庭愛情歌曲》(1929)觀察早期國語流行音樂工業的基本雛型
The Sheet Music Collection Songs of Family and Love (1929) and the Prototype of Early Chinese Popular Music
洪國鈞
Guo-Juin Hong
釣色劇場:以蔡明亮探討華語語系電影
Theatrics of Cruising: Towards a Sinophone Cinema in Tsai Ming-Liang's Films
鄭涵云
Han-Yun Cheng
與謝蕪村《草廬三顧.蕭何追韓信圖屏風》研究
A Study of Yosa Buson's “The Three Visits to Zhuge Liang's Thatched Cottage, and the Chasing of Han Xin”
葛海崙
Helen Mary Grace
在盲視性空間中想望未來
Envisioning in the Space of Blind Visibility
林克明
Ke-Ming Lin
超越地方:台灣歷史史詩電影《一八九五》與《賽德克.巴萊》中的地方建構
Beyond Place: The Place Construction in Two Taiwan Historical Epic Films 1895 and Warriors of the Rainbow: Seediq Bale
張琳
Lin Chang
市郊的想像:十九世紀初英國工業城市及其邊陲的圖像
Imagining the Suburb: Early Nineteenth-Century Topographic Views of English Industrial Cities and their Urban Fringes
倪明萃
Ming-Tsuey Ni
華特•希克特的音樂廳繪畫與現代生活的戲劇性
Walter Sickert's Music-Hall Paintings and Theatricality of Modern Life
戴芃儀
Peng-Yi Tai
皮克斯與怪獸電力公司:如何大量生產創意
Pixar as Monsters, Inc.: On the Mass Production of Creativity
蔡柏貞
Po-Chen Tsai
通俗類型電影與底層記憶:從一九五零年代的香港歌唱片與歌舞片談起
Popular Film Genres and Subaltern Remembrances: Rethinking the Hong Kong Film Musical of the 1950s and Beyond
蔣伯欣
Po-Shin Chiang
觀╱眾的重建:一九三一年《蔣渭水氏台灣大眾葬葬儀》影像分析
The Reconstruction of Spectatorship: Analysis on Images in The Documentary of Mr. Jhiang Wei-shui's Funeral in 1931
謝世英
Shih-Ying Hsieh
集體記憶、文化認同與歷史建構:由鹽月桃甫作品<沙韻之鐘>與<母>談起
Collective Memory, Cultural Identity and Historical Construction: Re-reading Sayon's Bell and Mother by Japanese Yoga Painter Shiotsuki Toho in Colonial Taiwan
謝世宗
Shr-Tzung Shie
侯孝賢與中國抒情傳統:以《戲夢人生》為例的初步探索
Hou Hsiao-hsien and Chinese Lyrical Tradition: A Preliminary Study of The Puppetmaster
孫松榮
Song-Yong Sing
臺灣紀錄片考異:論張照堂 1970 年代的實驗紀錄片
Examination on Taiwanese Documentaries: Exploring Chang Chao-tang's Experimental Documentaries in the 1970s
蘇文惠
Stephanie Su
東洋想像:中村不折的中國故事畫
Imagining the Orient: Nakamura Fusetsu's Chinese Subject Painting
陳恬
Tian Chen
1930年代上海租界戲院的生產與行銷
Theatrical Production and Marketing in Shanghai Concession in the 1930s
莊宜文
Yi-Wen Chuang
反共敘事與離散記憶—以1949年前後國共戰爭為背景的臺灣電影
葉月瑜
Yueh-Yu Yeh
東京女兒
Tokyo Daughters
 
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